Sapphic Modernism I (An Archive Of Feelings), 2013
Objects (2 folding screens), 2 collages, new production, co-produced by Württembergischer Kunstverein

Two projection screens for imaginary pictures. Objects that simultaneously present themselves and withdraw again, hinting at an 'inbetween' space, with no clear front or back. Or even if so, the behind is always more exciting than the front. In the early twentieth century, the paravent–or 'Spanish wall'–was positioned, with its modern concept, in the tradition of the applied arts and interior design, especially tropes of modernist female artistic activity. In both its Western and original Far Eastern origins, the paravent was also posited in 'theatrical' tradition–hiding, dressing up, make believe, and conveying erotic promises. An undefinable, queer non–place.
An in–between. (Stefanie Seibold)

Unterstützt von / Supported by Schreinerei Seibold, Stuttgart

Installation in
"Vom Zaudern, Motive des Aufschubs, Übergangs und Abschweifens"

Württembergischer Kunstverein, Stuttgart

25. Mai bis 4. August 2013

WKV Stuttgart

Mit :
Bani Abidi, Pilar Albarracín, Artic. Texte aus der fröhlichen Wissenschaft,Robert Barry, Rolf Dieter Brinkmann, Mircae Cantor, Carlfriedrich Claus, Sigmund Freud, Jacob und Wilhelm Grimm, Herbordt/Mohren, Runa Islam, Anna K. E., Gerald Van Der Kaap, Mobile Academy (Hannah Hurtzig, Karin Harrasser, Chris Kondek)  / Joseph Vogl, Christian Morgenstern, Anna Oppermann, Dan Perjovschi, Lia Perjovschi, Andreas Schulze, Stefanie Seibold, Jan-Peter E. R. Sonntag, Jean-Marie Straub / Danièle Huillet